jazz estate

Russ Johnson New Quartet with Aruàn Ortiz, Michael Formanek, Gerald Cleaver

Russ Johnson New Quartet
Saturday, February 18 at 8 PM

The Jazz Estate
2423 N Murray Ave
Milwaukee, WI
 
Aruán Ortiz – Piano “An avatar of creative and progressive improvisation,” Cuban-born, Brooklyn-based pianist, violist, and composer Aruán Ortiz has written music for jazz ensembles, orchestras, dance companies, chamber groups, and feature films. His work incorporates influences from contemporary classical music, Cuban-Haitian rhythms, and avant-garde improvisation; and consistently strives to break stylistic musical boundaries. He has been called “the latest Cuban wunderkind to arrive in the United States” by BET Jazz. Although Aruán tours predominantly with his own trio, he has also played, toured, or recorded with Esperanza Spalding, Terri Lyne Carrington, Wadada Leo Smith, Don Byron, Greg Osby, Wallace Roney, Nicole Mitchell, Steve Turre, Cameron Brown,and Nasheet Waits, to name a few.

Michael Formanek – Bass One marker of bassist Michael Formanek’s creativity and versatility is the range of distinguished musicians of several generations he’s worked with. While still a teenager in the 1970s he toured with drummer Tony Williams and saxophonist Joe Henderson; starting in the ’80s he played long stints with Stan Getz, Gerry Mulligan, Fred Hersch and Freddie Hubbard. (As a callback to those days, Formanek recorded with hardbop pianist Freddie Redd in 2013). The bassist has played a pivotal role on New York’s creative jazz scene going back to the ’90s when he notably led his own quintet and played in Tim Berne’s barnstorming quartet Bloodcount. Nowadays Formanek’s in the co-op Thumbscrew with Brooklyn guitarist Mary Halvorson and drummer Tomas Fujiwara. Formanek is also a composer and leader of various bands. His principal recording and international touring vehicle is his acclaimed quartet with Tim Berne on alto saxophone, Craig Taborn on piano and Gerald Cleaver on drums, which records for ECM; 2010’s The Rub and Spare Change and 2012’s Small Places both earned coveted five-star raves in Down Beat.

Gerald Cleaver- Drummer Gerald Cleaver, born May 4, 1963 and raised in Detroit, is a product of the city’s rich music tradition. Inspired by his father, drummer John Cleaver, he began playing the drums at an early age. He also played violin in elementary school and trumpet in junior high school and high school. He gained early invaluable experience with Detroit jazz masters Ali Muhammad Jackson, Lamont Hamilton, Earl Van Riper, and Pancho Hagood. While attending the University of Michigan as a music education major, he was awarded a Jazz Study Grant, from the National Endowment for the Arts, to study with drummer Victor Lewis. He graduated in 1992 and began teaching in Detroit where he worked with Rodney Whitaker, A. Spencer Barefield, Marcus Belgrave, Donald Walden, Wendell Harrison, and with visiting musicians Hank Jones, Tommy Flanagan, Barry Harris, Kenny Burrell, Frank Foster, Cecil Bridgewater, Ray Bryant, Eddie Harris, Dennis Rowland, Howard Johnson, Diana Krall, and Don Byron. In 1995 he accepted an appointment as assistant professor of Jazz Studies at the University of Michigan, and in 1998 also joined the jazz faculty at Michigan State University. He moved to New York in 2002.
He has toured and/or recorded with Henry Threadgill, Roscoe Mitchell, Lotte Anker, Matt Shipp, William Parker, Craig Taborn, Kevin Mahogany, Charles Gayle, Mario Pavone, Ralph Alessi, Jacky Terrasson, Muhal Richard Abrams, Tim Berne, Jeremy Pelt, Ellery Eskelin, David Torn, Miroslav Vitous, Terje Rypdal, Michael Formanek, Tomasz Stanko, Charles Lloyd, and Bill Frisell, among others.

Rick Germanson Trio at The Jazz Estate

Friday, December 23, 2016 8-11PM

Rick Germanson, piano
Peter Dominguez, bass
Pete Zimmer, drums

The Jazz Estate
2423 N Murray Ave
Milwaukee, Wisconsin 53211


RICK GERMANSON has been a highly in-demand pianist on the New York City Jazz scene for well over a decade. A native of Milwaukee, Wisconsin, Rick relocated to New York City in 1998. Rick won the GRAND PRIZE at The American Pianists’ Association Jazz Piano Competition in 1996. He was awarded “Best of New Talent” in 2004 by All About Jazz NYC.

Rick has four recordings out as a leader: The first two are on Fresh Sound New Talent: “HEIGHTS” and “YOU TELL ME”. His recording “OFF THE CUFF” on Owl Studios reached #15 on the Jazz Radio Play Charts. The latest is on SmallsLive “RICK GERMANSON: LIVE AT SMALL’S”. Downbeat and JazzTimes magazines have given Rick’s recordings rave reviews. Rick has also been documented on over forty recordings as a sideman with many of the top musicians in jazz today.

Since 2001 to the present, Rick has been touring and recording with The Cannonball Legacy Band featuring Louis Hayes. From 2003-2008 Rick also toured with master guitarist Pat Martino. Currently, Rick is also the pianist for guitarist Russell Malone, bassist Kyle Eastwood, trombonist Papo Vazquez’s Mighty Pirates Troubadours among many others.

Rick has performed throughout the world, at the top festivals, concert halls and clubs with the following jazz artists: Elvin Jones’ Jazz Machine; Louis Hayes; Jimmy Cobb; Grady Tate; Pat Martino; Russell Malone; Dr. Eddie Henderson; Tom Harrell; Brian Lynch; Jeremy Pelt; Jim Rotondi; Duane Eubanks; Curtis Fuller; Slide Hampton; Papo Vazquez; Frank Lacy; Steve Davis; Delfeayo Marsalis; Cecil Payne; Charles Davis; Frank Morgan; Charles MacPherson; Donald Harrison; Vincent Herring; Sherman Irby; George Coleman; Javon Jackson; Eric Alexander; Craig Handy; Wayne Escoffrey; Steve Nelson; Marlena Shaw; Kevin Mohagany; Carolyn Leonhart; Regina Carter; Gerald Cannon; Jay Leonhart; Mingus Dynasty; Ray Mantilla and Space Station.

Rick is also an experienced educator, having given clinics and master classes at such institutes as New York University; The Julliard School; Jazz at Lincoln Center. He is currently on faculty at The Jackie McLean Institute at The Hartt School of Music at The University of Hartford.

Brian Lynch Quartet at The Jazz Estate

Friday, November 18, 8-11pm
$12 Door Charge with a one drink minimum

The Jazz Estate
2423 N Murray Ave
Milwaukee, WI 53211

Grammy© Award Winner Brian Lynch is as comfortable negotiating the complexities of clave with Afro-Caribbean pioneer Eddie Palmieri as he is swinging through advanced harmony with bebop maestro Phil Woods. A honored graduate of two of the jazz world’s most distinguished academies, Art Blakey and the Jazz Messengers and the Horace Silver Quintet, he has been a valued collaborator with jazz artists such as Benny Golson, Toshiko Akiyoshi, and Charles McPherson; Latin music icons as diverse as Hector LaVoe and Lila Downs; and pop luminaries such as Prince.

$12 Door Charge with a one drink minimum
Shows start promptly at 8PM

Joe Sanders’ Infinity at The Jazz Estate

Internationally renowned Bassist Joe Sanders returns to Milwaukee a for a rare performance as leader with his band JOE SANDERS’ INFINITY.

featuring: Philip Dizack, Trumpet (also a Milwaukee native) Justin Brown, Drums (Thundercat, Ambrose Akinmusire, Gerald Clayton) & and the local organ/piano phenom Dan Trudell. Don’t miss this one-time performance at the Jazz Estate Monday, April 13th, 2015, 8:30pm

The Jazz Estate
2423 N Murray Ave
Milwaukee, WI 53211
(414) 964-9923
jazzestate.com

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Charlie Hunter Trio with Bobby Previte & Carly Meyers

The Charlie Hunter Trio

Charlie Hunter, 8-string guitar
Carly Meyers, trombone
Bobby Previte, drums

Wednesday, April 15th 2015
Showtime 8PM
Two sets
Cover $25

The Jazz Estate
2423 N Murray Ave
Milwaukee, WI 53211
(414) 964-9923

Charlie Hunter (born May 23, 1967) is an American guitarist, composer and bandleader.

First coming to prominence in the early 1990s, Hunter has recorded 17 albums. Hunter plays custom-made seven and eight-string guitars, on which he simultaneously plays basslines, rhythm guitar, and solos. Critic Sean Westergaard describes Hunter’s guitar technique as “mind-boggling … he’s an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off.”

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