|Join The Estate in welcoming Jazz Legend Eddie Gomez for a night of world class jazz.
April 26, 2018Two Shows!
7pm and 9pm
$15 Tickets: HERE
Doors open for cocktails at 5pm.
Legendary bassist and two-time Grammy Award winner EDDIE GOMEZ has been on the cutting edge of music for over four decades. His impressive resumé includes performances with jazz giants such as Miles Davis, Dizzy Gillespie, Bill Evans, Gerry Mulligan and Benny Goodman. Eddie’s unique sound and style can be heard on many Grammy winning records as well as on hundreds of recordings spanning the worlds of jazz, classical, Latin jazz, rhythm & blues, popular and contemporary music.
Born in 1944 in Santurce, Puerto Rico, Eddie moved to New York City with his family at an early age. His love of music led him to the double bass as a precocious 11-year old student in the public school system. Two years later he was accepted to the High School of Music and Art and soon began private studies with the great double bass teacher Fred Zimmerman. During these years, he performed with many professional dance bands and was a member of the Newport Youth Band led by Marshall Brown. By 18, he had performed with such jazz luminaries as Buck Clayton, Lionel Hampton, Marian McPartland and Paul Bley.
Tuesday, November 7
6:30pm Doors / 8pm Show
When Kamasi Washington released his tour de force LP, The Epic, in 2015, it instantly set him on a path as our generation’s torchbearer for progressive, improvisational music that would open the door for young audiences to experience music unlike anything they had heard before. The 172-minute odyssey featuring his 10-piece band, The Next Step, was littered with elements of hip-hop, classical and R&B music, all major influences on the young saxophonist and bandleader, who exceeds any notions of what “jazz” music is.
Released to critical acclaim, The Epic won numerous “best of” awards, including the inaugural American Music Prize and the Gilles Peterson Worldwide album of the year. Washington followed that work with collaborations with other influential artists such as Kendrick Lamar, John Legend, Run the Jewels, Ibeyi and the creation of “Harmony of Difference,” a standalone multimedia installation during the prestigious 2017 Biennial at the Whitney Museum of American Art in New York City.
His mass appeal continues to grow drawing vibrant, multi-ethnic and multi-generational crowds with tour stops at the world’s most prominent festivals such as Coachella, Glastonbury, Fuji Rock, Bonnaroo and Primavera. A prominent journalist recently summed it up best when he wrote “in a millennium largely absent of anything new or captivating in the jazz idiom, Washington has just unleashed a musical hydra grounded in respect and intimate knowledge of the past and striking far out into a hopeful future.” Next up for Washington is the highly anticipated Harmony of Difference EP, due for release this Fall and his sophomore album slated for 2018.
We are excited to welcome legendary trumpet player Tom Harrell to the Estate! Tom Harrell will be backed up by Mark Davis (piano), Jeff Hamann (bass), and George Fludas (drums).
Monday October 30, 2017
Two shows: 7pm and 9pm.
Special Limited Reserved Seating Available, $35/person (SOLD OUT)
Tickets available at: http://tomharrell.brownpapertickets.com/
Praised by Newsweek for his pure melodic genius, Tom Harrell is widely recognized as one of the most creative and dynamic jazz instrumentalists and composers of our time. While Harrell is a master of the jazz idiom, he constantly seeks new challenges and influences. Even with a discography of over 260 recordings and a career that spans more than four decades, Harrell has managed to stay fresh and current as he continues to actively record and tour around the world. He is a frequent winner in Down Beat and Jazz Times magazines’ Critics and Readers Polls and a Grammy nominee.
His warm, burnished sound on the trumpet and the flugelhorn, and the unparalleled harmonic and rhythmic sophistication in his playing and writing, have earned Harrell his place as a jazz icon to aspiring musicians and devoted fans alike. His music is at once intelligent, soulful, fresh and accessible. No matter the size of the group he works with, the trumpeter-composer deftly weaves complex harmonies together with daring rhythmic concepts and unforgettable melodies while utilizing the available colors to full effect.
After a string of albums with a quintet he has kept together for almost ten years with Wayne Escoffery on tenor sax, Danny Grissett on piano and Fender Rhodes, Ugonna Okegwo on bass and Johnathan Blake on drums, Harrell has begun to develop new projects, often involving some or all of the quintet members.
His forthcoming album, FIRST IMPRESSIONS (September 18, 2015 release), is a chamber ensemble recording of Harrell’s own arrangements of (mostly) chansons by Debussy and Ravel. The ensemble was featured on PBS Soundtracks and toured in the US and Poland. Harrell will reprise the group for a week at the Village Vanguard starting October 6.
TRIP is a piano-less quartet that was formed after Harrell was commissioned to write new music by Dave Douglas for the Festival of New Trumpet Music. Harrell describes the quartet as a chamber group, where each instrument plays an equally important role. TRIP features tenor saxophonist Mark Turner, Harrells long-time bassist Ugonna Okegwo and drummer Adam Cruz. A 2014 album release was followed by tours in 2015.
With COLORS OF A DREAM, Harrell took the piano-less concept one step further, using two acoustic basses in a sextet with three horns (Jaleel Shaw on alto sax, Wayne Escoffery on tenor, and himself on trumpet and flugelhorn) and drums (Johnathan Blake). Esperanza Spalding, doubling on vocals, played acoustic bass together with Ugonna Okegwo, anchoring infectious grooves of the music Harrell wrote specifically for the group. A successful album was released in 2013 and Harrell took the group on the road in the summer of 2014.
A graduate of Stanford University with a degree in music composition, Harrell is a prolific composer and arranger. Carlos Santana, Cold Blood, Azteca, Vince Guaraldi, Hank Jones, Kenny Barron, the Vanguard Jazz Orchestra, Danish Radio Big Band, WDR Big Band, Brussels Jazz Orchestra, Metropole Orchestra and Arturo O’Farrill & the Afro-Latin Jazz Orchestra are among the many who have recorded or performed his work. Harrell’s composition and arrangement, “Humility,” was recorded for the latter’s 2008 release, which just won a Grammy for the Best Latin Jazz Album.
Some of Harrell’s notable RCA/BMG recordings include WISE CHILDREN, a project in which he combines woodwinds, brass, horns, strings, guitars, percussion and the vocals of Cassandra Wilson, Dianne Reeves, Jane Monheit and Claudia Acuna; PARADISE and THE ART OF RHYTHM, both of which feature chamber groups with strings; and his Grammy-nominated big band album, TIME’S MIRROR.
In addition to the 27 albums and thousands of concerts worldwide as a leader, Harrell has worked with important figures in jazz history including Stan Kenton, Woody Herman, Dizzie Gillespie, Horace Silver, Art Farmer, Phil Woods, Lee Konitz, Sam Jones (with whom he co-led a big band in the 70s), Jim Hall, Charlie Haden, Joe Lovano. Harrell also recorded on Grammy-winning albums by Gerry Mulligan and Bill Evans.
Saturday, October 14
Doors 7PM / Show 8PM
The Back Room @ Colectivo Coffee
2211 N. Prospect Ave
Milwaukee, Wisconsin 53202
“A drummer around whom a cult of admiration has formed.”—NYTimes
His playing on David Bowie’s ‘Blackstar’, showed his prowess, conceptual approach and unmistakable sound.
What happens when you add hard bop drum masters Elvin Jones and Art Blakey to a 1980s Roland 808 drum machine, divide the result by J Dilla and then multiply to the power of Squarepusher? Answer: Mark Guiliana
Mark Guiliana has become recognized as one of the world’s leading drummers, admired and in demand across the spectrum from jazz to rock to electronic music for his rhythmic sophistication, creative impulse and individual sound. He has been in the vanguard of drummers creating a new vernacular on the instrument, blending virtuosity on acoustic drums with artfully deployed electronic beats and processing. Guiliana was chosen as Best Jazz Drummer in the Modern Drummer Readers Poll 2017, while DownBeat dubbed him a Rising Star in its Critics Poll. JazzTimes aptly proclaimed: “Guiliana, a technical master with a rare sense of musicality, has over the past decade become one of the most influential drummers of his generation.” Along with leading his own groups – the acoustic Mark Guiliana Jazz Quartet and electronica-minded Beat Music – the drummer has appeared on a string of acclaimed recordings with others. The verve and precision of Guiliana’s drumming was a primer mover of Blackstar, David Bowie’s multiple Grammy Award-winning final album. Guiliana teamed with keyboardist Brad Mehldau as the duo Mehliana for the Nonesuch release Taming the Dragon, and he has also collaborated with such artists as saxophonist Donny McCaslin, guitar hero John Scofield, Soundgarden/Pearl Jam drummer-songwriter Matt Cameron, neo-soul singer-songwriter Meshell Ndegeocello, guitarist-vocalist Lionel Loueke, jazz bassist Avishai Cohen, reggae/hip-hop artist Matisyahu and jazz singer Gretchen Parlato.
Tuesday, October 10 / Shows at 7 and 9pm
538 W National Ave
Milwaukee, Wisconsin 53204
2 shows at 7pm and 9pm
$15 advance at http://www.janmark.com $20 at door
21+ Doors open at 6
In the mid 1990s, The New York Times described Larry Goldings, Peter Bernstein, and Bill Stewart as “the best organ trio of the last decade.” The trio, which has now been together for over 20 years, has been recognized for charting new ground, with its synergistic playing, yet thoughtful music. They have recorded nine albums and two DVDs together, all of which display their distinctive sound, whether exploring the depths of jazz standards, or playing their own original compositions. Of their newest offering, Ramshackle Serenade, (Pirouet), Downbeat said, “The whole album subtly subverts organ-trio cliches, offering not chicken-shack party stomps but instead some hip after-hours atmospherics…4 stars”
With his signature Hammond organ style and versatility on many keyboards, Boston native Larry Goldings (b. 1968) has traversed not only the wide spectrum of jazz where he is perhaps best known, but also the worlds of funk, pop, and electronic music. High in demand as a sideman, Goldings’ sound can be heard on scores of albums by artists in virtually every musical genre.
Over the years, Goldings has been closely associated with Michael Brecker, Jim Hall, Maceo Parker, Madeleine Peyroux, Pat Metheny, John Scofield, and since 2002, with folk/pop icon, James Taylor. In 2007, Goldings, Jack DeJohnette and John Scofield, received a Grammy nomination in the category of Best Jazz Instrumental Album Individual or Group for their album, Trio Beyond – Saudades (ECM).
Goldings also is active as a composer, arranger, and producer. His compositions have been recorded by Michael Brecker, Till Brönner, Jack DeJohnette, Sia, Lea Michele, Bob Dorough, Jim Hall, Jane Monheit, Gaby Moreno, John Scofield, Mark Sholtez, Curis Stigers, and Toots Thielemans. Goldings’ music also has been featured in television shows and motion pictures, including, The Office, Proof, Funny People, and Neighbors. He scored his first feature film, Dealin’ With Idiots in 2013, directed by Jeff Garlin.
Guitarist Peter Bernstein (b. 1967) has been an integral part of the world jazz scene since 1989. He has been sought out by musicians from all generations – touring with legendary players such as Jimmy Cobb, Lou Donaldson, Bobby Hutcherson, Lee Konitz, Sonny Rollins, and Dr. Lonnie Smith and jazz stars of today such as Eric Alexander, Brad Mehldau, Diana Krall, Nicholas Payton, and Joshua Redman. His recognizable guitar voice graces over a hundred recordings.
As a leader, Bernstein has recorded six highly regarded albums, displaying not only his masterful interpretations of standards, but also his inventive and lyrical compositions. His latest project, Monk (Criss Cross), shows Bernstein’s deep understanding of the complexities of Thelonious Monk’s music, while never becoming overshadowed by Monk’s powerful personality. Bernstein also has taught at the Julliard School, Berklee College of Music, North Texas State University, the New School Jazz Program, and the Jazz Conservatory in Amsterdam.
Guitar legend Jim Hall said that Bernstein “is the most impressive young guitarist I’ve heard…He plays the best of them all for swing, logic, feel and taste, and has paid attention to the past as well as the future.”
Originally from Des Moines, Iowa, drummer Bill Stewart (b. 1967) made his name as the rhythmic force behind guitarist John Scofield’s band, collaborating with him for five years between 1990 and 1995. He is now one of the most sought after jazz drummers in the world. Stewart’s playing is distinguished by its melodic focus, and its polyrhythmic, or layered, character. Although his drumming bears the influence of various melodic and hard swinging drummers who preceded him, including Max Roach, Roy Haynes, and Jack DeJohnette, Stewart’s voice is clearly his own, and already is influencing a younger generation of drummers.
Stewart has toured extensively with Michael Brecker, Kevin Hays, Lee Konitz, Pat Metheny, Joshua Redman, and Maceo Parker. His longstanding association with John Scofield has led to some of the highest quality records and live concerts in modern jazz.
An excellent composer in his own right, Stewart has made several records as a leader that predominantly feature his own music, bearing the same thoughtfulness, humor, and impeccable taste that one hears in his playing.
Friday, September 15th, 2017, 8 PM – 11 PM
The Jazz Estate
2423 N Murray Ave,
Milwaukee, Wisconsin 53211
The Jazz Estate is pleased to welcome John Raymond and “Real Feels” to the Estate Stage.
$15 Door Charge
Advance Tickets and lome Limited Reserved Seating available:
Electrifyingly new and strangely familiar at the same time…with his mix of modern sounds and old-fashioned feeling, Raymond is steering jazz in the right direction.” (Downbeat Magazine)
Recently voted as a Rising Star Trumpeter in the Downbeat Magazine Critic’s Poll, John Raymond has been making a name for himself as one of the most promising, up-and-coming jazz musicians in New York. Originally from Minneapolis, MN, John has performed with some of most well-respected names in jazz including Billy Hart, Orrin Evans, Kurt Rosenwinkel, Ethan Iverson, and Linda Oh among others. His latest album “Real Feels” was released to widespread acclaim, including a ★★★★1/2 Downbeat review and was included on the Best Jazz Albums of 2016 by Stereogum.
Raymond’s trio “Real Feels” is a unique bass-less band that includes rising stars Gilad Hekselman (guitar) and Colin Stranahan (drums). The group incorporates indie-rock inspired originals and covers as well as puts a fresh spin on familiar songs, many of them stemming from Raymond’s roots as a Midwesterner. From American folk songs like Woody Guthrie’s “This Land Is Your Land,” to classic hymns such as “Amazing Grace,” to Lennon & McCartney’s “Blackbird,” to Thom Yorke’s “Atoms for Peace,” the music undoubtedly evokes a nostalgia for the past. However, “Real Feels” is far from being antiquated; the band’s improvisational, free-wheeling, keep-you-on-the-edge-of-your-seat kind of approach to the music makes the songs feel entirely relevant.
August 6, 2017, 2-6pm
Co-presented by Milwaukee Jazz Vision and Milwaukee World Festival Inc.
Jazz Visions on the Lake is a free, one-day community event that will showcase local jazz musicians at Henry Maier Festival Park. Created in partnership between Milwaukee World Festival, Inc. and Milwaukee Jazz Vision, the afternoon event will give music fans the opportunity to kick back, relax and enjoy the sounds of live jazz along the shores of Lake Michigan. Local food trucks will be present as well as bars featuring MillerCoors and Pepsi products.
Lineup and times:
Scott Napoli Quartet / 2:00pm
Dreamland – The Music of Thelonious Monk / 3:15 pm
Kevin Hayden Band / 4:45
Milwaukee Jazz Vision is an organization of business and music industry professionals, musicians, teachers, students and listeners working together with the goal of advancing jazz music in the Greater Metro-Milwaukee area. The event is also supported by Summerfest Foundation, Inc.
Presented in collaboration with the Jazz Institute of the Wisconsin Conservatory of Music
Friday, June 30 at 8 PM – 11 PM
We are pleased to welcome Grammy Award Winner Brian Lynch and saxophonist Greg Tardy to the Estate Stage. They will be backed up by Milwaukee’s own Mark Davis, Jeff Hamman, and Dave Bayles.
$15 Door Charge
Limited Front Row Reserved Tables: http://lynchtardy.brownpapertickets.com/
Sales start 7/3/17 12pm
Grammy© Award Winning trumpeter Brian Lynch brings to his music an unparalleled depth and breadth of experience. A honored graduate of two of the jazz world’s most distinguished academies, Art Blakey and the Jazz Messengers and the Horace Silver Quintet, he received wide acclaim during his long tenures with Latin Jazz legend Eddie Palmieri and straight ahead master Phil Woods. He has been a valued collaborator with jazz artists such as Benny Golson, Toshiko Akiyoshi, and Charles McPherson; Latin music icons as diverse as Hector LaVoe and Lila Downs; and pop luminaries such as Prince. As a bandleader and recording artist he has released over 20 critically acclaimed CDs featuring his distinctive composing and arranging, and has toured the world at the helm of various ensembles reflecting the wide sweep of his music.
Greg Tardy Tenor saxophonist, who has released albums for the record labels SteepleChase Records, J Curve Records, and Impulse! Records. He has played with Elvin Jones, Avishai Cohen, Aaron Goldberg, Brad Mehldau, and Joshua Redman, among others. Tardy studied classical clarinet as a child, encouraged by his parents, both of whom were opera singers. His mother, Jo Anne Tardy, after singing classical music became a gospel-influenced jazz singer. After switching to tenor saxophone, Tardy played with funk bands in Milwaukee before his brother urged him to listen to jazz, after which he was especially influenced by John Coltrane’s recordings. He studied at the Wisconsin Conservatory of Music and at the University of New Orleans, along the way encountering Ellis Marsalis who became tutor and mentor. Resident in New York City from 1992, Tardy became deeply involved in the contemporary jazz and improvised music scenes. Among musicians with whom he has played are Rashied Ali, Omer Avitel, Jonathan Blake, Betty Carter, Steve Coleman, George Colligan, Ravi Coltrane, Sean Conly, Xavier Davis, Dave Douglas, Bill Frisell, Aaron Goldberg, Russell Gunn, Eric Harland, Tom Harrell, Antonio Hart, Andrew Hill, Elvin Jones, Joe Lovano, Ellis Marsalis, Jason Marsalis, Wynton Marsalis, Jay McShann, Mulgrew Miller, James Moody, John Patitucci, Nicholas Payton, Chris Potter, Dewy Redman, David Schumacher, Mark Turner and Bobby Watson, the latter being cited as an especially important influence.
Saturday, June 10 at 9 PM – 12 AM
Advance tickets on sale this Wednesday, April 19th at 10 am
$15 ADV // $20 DOS
Doors 9 PM // +21
2496 S Wentworth Ave
Milwaukee, Wisconsin 53207
Dave King Trucking Company
Erik Fratzke – guitar
Dave King – drums
Chris Morrissey – bass
Chris Speed – tenor saxophone
Brandon Wozniak – tenor saxophone
Chris Weller – saxophone
Cole Degenova – keyboards
Devin Drobka – drums
Dave King Trucking Company
Prolific drummer/composer Dave King is well known for his propulsive work in a number of different bands. From The Bad Plus to Happy Apple to Halloween, Alaska, each group has its own sound and approach, but all are approached in a steadfast manner. These groups are all serious units of focused players who are completely dialed in, honing a solid band sound and identity. It is King’s attraction to a strong group concept that led to his creation of his Trucking Company band and his increasing focus thereon. On its third recording, Surrounded By The Night, the Trucking Company has solidified its identity with new material and a slightly changed lineup. The addition of the Minneapolis born, Brooklyn based bassist Chris Morrissey strengthens the Minnesota-New York connection that has been part of the identity of the ensemble, featuring the saxophone (and clarinet!) of Brooklynite Chris Speed alongside Minnesotans saxophonist Brandon Wozniak and guitarist Erik Fratzke, since its inception.
Hanging Hearts is a free-spirited, Chicago-based trio described by European audiences as “hammering the walls between genres.” Bridging the gap between jazz, rock, and experimental music, the band offers listeners what is ultimately their own tribal music–a combination of their varying musical backgrounds ranging from jazz and classical, to funk, alternative soul, and full on metal. Each a bandleader and composer in their own right, Hanging Hearts features Chris Weller on tenor and bass saxophones, Cole DeGenova on keyboards, and Devin Drobka on drums.
In June 2016, Hanging Hearts went back into the studio at Howl Street Recordings in Milwaukee, WI with drummer Dave King of The Bad Plus as producer to make their second album, Into a Myth. A strong step forward from their last, the record features eight cut-to-the-chase originals referencing various themes from creation myths to cosmic rights of passage. Into a Myth releases on June 9, 2017 on the Minneapolis-based label Shifting Paradigm Records with supporting U.S. tours.
Russ Johnson New Quartet
Saturday, February 18 at 8 PM
The Jazz Estate
2423 N Murray Ave
Aruán Ortiz – Piano “An avatar of creative and progressive improvisation,” Cuban-born, Brooklyn-based pianist, violist, and composer Aruán Ortiz has written music for jazz ensembles, orchestras, dance companies, chamber groups, and feature films. His work incorporates influences from contemporary classical music, Cuban-Haitian rhythms, and avant-garde improvisation; and consistently strives to break stylistic musical boundaries. He has been called “the latest Cuban wunderkind to arrive in the United States” by BET Jazz. Although Aruán tours predominantly with his own trio, he has also played, toured, or recorded with Esperanza Spalding, Terri Lyne Carrington, Wadada Leo Smith, Don Byron, Greg Osby, Wallace Roney, Nicole Mitchell, Steve Turre, Cameron Brown,and Nasheet Waits, to name a few.
Michael Formanek – Bass One marker of bassist Michael Formanek’s creativity and versatility is the range of distinguished musicians of several generations he’s worked with. While still a teenager in the 1970s he toured with drummer Tony Williams and saxophonist Joe Henderson; starting in the ’80s he played long stints with Stan Getz, Gerry Mulligan, Fred Hersch and Freddie Hubbard. (As a callback to those days, Formanek recorded with hardbop pianist Freddie Redd in 2013). The bassist has played a pivotal role on New York’s creative jazz scene going back to the ’90s when he notably led his own quintet and played in Tim Berne’s barnstorming quartet Bloodcount. Nowadays Formanek’s in the co-op Thumbscrew with Brooklyn guitarist Mary Halvorson and drummer Tomas Fujiwara. Formanek is also a composer and leader of various bands. His principal recording and international touring vehicle is his acclaimed quartet with Tim Berne on alto saxophone, Craig Taborn on piano and Gerald Cleaver on drums, which records for ECM; 2010’s The Rub and Spare Change and 2012’s Small Places both earned coveted five-star raves in Down Beat.
Gerald Cleaver- Drummer Gerald Cleaver, born May 4, 1963 and raised in Detroit, is a product of the city’s rich music tradition. Inspired by his father, drummer John Cleaver, he began playing the drums at an early age. He also played violin in elementary school and trumpet in junior high school and high school. He gained early invaluable experience with Detroit jazz masters Ali Muhammad Jackson, Lamont Hamilton, Earl Van Riper, and Pancho Hagood. While attending the University of Michigan as a music education major, he was awarded a Jazz Study Grant, from the National Endowment for the Arts, to study with drummer Victor Lewis. He graduated in 1992 and began teaching in Detroit where he worked with Rodney Whitaker, A. Spencer Barefield, Marcus Belgrave, Donald Walden, Wendell Harrison, and with visiting musicians Hank Jones, Tommy Flanagan, Barry Harris, Kenny Burrell, Frank Foster, Cecil Bridgewater, Ray Bryant, Eddie Harris, Dennis Rowland, Howard Johnson, Diana Krall, and Don Byron. In 1995 he accepted an appointment as assistant professor of Jazz Studies at the University of Michigan, and in 1998 also joined the jazz faculty at Michigan State University. He moved to New York in 2002.
He has toured and/or recorded with Henry Threadgill, Roscoe Mitchell, Lotte Anker, Matt Shipp, William Parker, Craig Taborn, Kevin Mahogany, Charles Gayle, Mario Pavone, Ralph Alessi, Jacky Terrasson, Muhal Richard Abrams, Tim Berne, Jeremy Pelt, Ellery Eskelin, David Torn, Miroslav Vitous, Terje Rypdal, Michael Formanek, Tomasz Stanko, Charles Lloyd, and Bill Frisell, among others.